Lectrosonics UR190 Manual do Utilizador Página 4

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The Dual Band Compandor is driven by a multiple pole active low-pass filter. The filter ensures that
supersonic noise will not cause the compandor to increase gain incorrectly. This filter also drives the
-20dB and 0dB modulation LEDs.
Traditionally, compandors have been a source of distortion in wireless microphone systems. The basic
problem with conventional systems is that the attack and decay times are always a compromise. If the
time constants are fast, high frequency transients will not be distorted, but this will cause low frequency
distortion. If the time constants are slower, low frequency audio distortion will be low, but high
frequency transients will then be distorted. The 190 system introduces an entirely new approach to
solving this basic problem, called "dual-band companding."
There are actually two separate compandors in the 195 system, one for high frequencies and one for
low frequencies. A crossover network separates the frequency bands at 1kHz with a 6dB per octave
slope, followed by separate high and low frequency compandors. The attack and release times in the
high frequency compandor are fast enough to keep high frequency transient distortion at a low level,
and the low frequency compandor uses slower time constants, reducing low frequency distortion to well
below that of a conventional compandor.
The compandor senses the signal level, and dynamically increases the gain for loud signals or
decreases the gain for soft signals. In this way, the original dynamic range of the transmitted signal is
restored, while preserving a high signal-to-noise ratio. The expansion ratio is 2:1, which produces a
2dB change in output signal level for a 1dB change in input level.
The balanced microphone level output circuit generates a truly balanced signal at the XLR output
connector. The volume control is a balanced attenuator, and gives a gain range from -20dBV (at full
modulation) in the fully clockwise position to -50dBV in the fully counter-clockwise position. In addition,
the headphone circuit is driven from the microphone circuit. This means that the headphone output
level is dependent not only on the headphone volume control, but also the microphone level control.
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